Hi, I'm Sebastián Carreras from Capital federal Argentina

I was born on October 26, 1980, in the city of Buenos Aires. Around 2007, I began to explore street photography, drawn to the urban rhythm and the city’s constant transformation—elements that have since become the central axis of my work.
A self-taught photographer, I began my path using compact cameras and mobile phones—tools that remain part of my practice today. Over time, and with the acquisition of my first professional camera, I expanded and redefined my understanding of photography, consolidating a distinct visual language.
In 2016, I received my first recognition by achieving second place in the Transparencia competition, organized by the City of Buenos Aires. In this same contest, whose final edition took place in 2023, I was also awarded prizes in the 2019, 2020, and 2021 editions. I have also reached the finalist stage on multiple occasions in the Gente de mi Ciudad competition, organized by Banco de la Ciudad de Buenos Aires.
Among other recognitions, I received an award in the photography competition organized by the City of Buenos Aires on the occasion of the 20th anniversary of its autonomy.
Notable achievements include first place in a 2021 open call by Escuela Da Vinci, a distinction that enabled me to pursue formal photographic training at the institution. That same year, I also obtained first place in the competition organized by the Buenos Aires City Legislature for its 90th anniversary. I consider especially significant the third place awarded in the Sony Photography Awards, National Awards – Argentina category.
Finally, in 2025, I was awarded second place in the Professional Photographer category at the international Diverjeces competition, further consolidating my work within the international photographic field.
In parallel, between 2017 and 2023, I developed a phase focused on sports photography, working with companies such as Fotorun, Ironman Argentina, and Estudio Juche.
Currently, my street photography work has led me to participate in and exhibit at virtual art galleries in both Argentina and Spain, reaffirming an ongoing practice centered on observation, the city, and its invisible narratives.